Back to Issue #4

 

 

Double-Spacing Curiosity
by Andrea DeAngelis

                        i

what does it mean to really breathe?

bare thought flushes

the scars of ruined roads

we’re forever on a car trip

 

telephone poles are odd crosses

connected electrical writhing

don’t touch

the metal door handles

remember that game?

while holding breath patterns

and passing the mystery dead

huddling within cemetery hills

but you’re no longer the same

                        ii

younger brother flatters classmates

by also banging his head on the desk

but even he will contest

an epileptic’s involuntary disarming,

the nun-in-training he found charming

her parents coerced her towards the convent

to force-feed their contortionist calling

to do something with an imperfect daughter

who wouldn’t be done with

my mind’s askew framed in vertigo depression

despite wishing slides into damp leaf piles

explosive, unafraid of ticks

this is what I wish

a childhood possession to be

for my brother and me

but two peas in a pod

cannot even speak kindness

in our adult distancing.

 

 

Grays of Memory
the brolly of your brainchild
is communicating
despite a physical impediment of the tongue
that disappears with nervous yesses
if you always say yes
no one will hear you say no

you are surviving
an inner dialogue of rejection
derived from your best efforts
and your best friend’s dilapidated ego
shored up as a lean-to
constructed by a reluctant Brownie

in spider infested woods you filled
cups of squatting arachnids
stolen away from home invasions

you couldn’t kill them
they frightened you too much
even though wolf spiders
are descendants from monsters
they are monsters on your side

and I think
this is the childhood I hoped to forget
because then the contrast would be greater
this picture inexact reparations
of my expansive hate.

 

ANDREA DeANGELIS is a poet, writer and musician living in NYC. She has unresolved trauma with an unfortunate mullet that scarred the beginning of her adolescence. The recurring nightmares at her grandmother’s born-again hairdresser are particularly potent. Snip. Snip. Recently, Andrea’s work has been published in The Kakofonie, Monkeybicycle, Frostwriting and Dogmatika.

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